Please join us at the bookshop to celebrate the launch of Red Africa: Affective Communities and the Cold War, edited by Mark Nash. This new book explores international solidarity and friendship with essays and artwork from a number of prominent curators, researchers and artists.
At the launch, we’ll be hosting a discussion exploring themes from the book and exhibition with Dr Ros Gray (Goldsmiths, University of London), Dr Polly Savage (SOAS, University of London) and Nadine Siegert (Iwalewahaus, University of Bayreuth), chaired by Mark Nash.
Copies of the book will be available for purchase at an exclusive promotional price.
About the book
It is now over 25 years since the fall of the Berlin Wall, the fragmentation of the Soviet Union into a series of republics and the rejection of communist politics in much of the former Eastern Bloc. Seen by many as a victory for the capitalist West over the communist East, the geopolitics of this period were far more complicated than this.
Across a series of essays and contributions, Red Africa explores the crosscurrents of international solidarity and friendship. The aesthetic experience of the works and the accompanying exhibition are also an invitation for the visitor to explore what Leila Ghandi and others have described as a politics of “affective community”.
Red Africa is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting libertarian struggles, or which, post-independence, were part of the Non-Aligned Movement, which held its first Summit conference in Belgrade in 1961.
Red Africa is beautifully illustrated with film stills, artworks and archival images drawing on the extensive research of the contributing artists, researchers and curators.
Published by Black Dog Publishing.
About the editor
Mark Nash is an independent curator and writer. His formation was in film theory and culture, editing Screen between 1977 and 1981. He has worked with artist Isaac Julien on several projects such as the film Frantz Fanon: Black Skin White Mask and the exhibition Reimaging October at the Calvert 22 Foundation in 2009. He collaborated with Okwui Enwezor on The Short Century exhibition and Documenta XI. Most recently he curated Things Fall Apart at Calvert 22 Foundation.